Art Appreciation Essay

Art has been p fraud of the human grow for thousands of years. It has facilitated the development of civilization for centuries. The history of the dry land would not be the same without the magnificence of creativity and innovation. One p blindicular finish in art history that understandably manifested the creative personry and ingenuity of many artists was the baroque period. The art style practiced during this era was describe as the harmony spatial relationships, both real and illusionary, with spectacular optic effects which were executed using practiced brilliance.Most of the artworks produced during the Baroque period had exceedingly developed naturalistic illusionism, usu completelyy heightened by dramatic lighting effects, creating an unequaled disposition of theatricality, energy, and front man of forms (Heindroff, 2006). more so, this art movement flourished throughout Europe wherein several knowing artists have emerged who had helped shaped the contemporary art style. Morover, at that time, one of the famous themes for the optic arts was embellish painting. It is in this range that Annibale Carracci, an Italian painter, Claude Lorrain, a French artist, and Jacob forefront Ruisdael, a Dutch artisan, have whole excelled.They have produced some of the closely attractive masterpieces such as the grace with rush into Egypt (c. 1603) by Carracci, A Pastoral adorn by Claude Lorrain (c. 1650) and View of Haarlem from the Dunes at Overveen by vanguard Ruisdael (c. 1670). In Carraccis Landscape with escape into Egypt, he showcased the beautiful ornament of Rome with two human figures and a donkey at the foreground. This piece of art was commissioned by Cardinal Pietro Aldobrandini Pietro Aldobrandini for the family chapel in his palace in Rome, by and by known as Palazzo Doria Pamphiljduring the year 1603.More so, this painting was considered as the most storied input of Carracci in the veduta genre which was described as the pr ecise and detailed photo of urban cities and rural embellishs that that attracted the sense of local anesthetic pride of the wealthy Dutch core class. Carracci successfully give wayed a correspondenced, perfect landscape beauty, with a perfect artificial fusion of the holy characters, their stories and the landscape (NationMaster. com, 2005). Furthermore, he was one of the pioneers to create a landscape painting wherein the figures were not the focal phase that it was the landscape that took the spotlight.This style was later(prenominal) on followed by Carraccis pupils such as Domenichino and Lorraine. Overall, Carracci was remarkably eclectic in thematic, painting landcapes, genre scenes, and portraits, including a serial of autoportraits across the ages (Bookrags. com, 2006). Meanwhile in France, Claude Lorrain was to a fault acclaimed for his landscape paintings. Lorrain was born in Lorraine, France plainly he actually grew up in Italy. By 1633, he was able to asse mble his name as one of the most leading landscapist and he was in like manner commissioned by high-ranking officials of the Italian society such as the popes, cardinals, ambassadors and kings (Barewalls.com). In A Pastoral Landscape, Lorrain was commissioned by Prince Lorenzo Onofrio Colonna. Like Carracis painting, this one in like manner had no distinguishable subject. The figures present where sit down and the standing shepherds accompanied by 3 women (Miller, 2007). The background is a scenic celestial horizon of the city alongside the pastoral landscape of the rural area. Lorrains landscape paintings illustrated a sharp contrasts of light and shades. More so, it was believed that Poussin influenced him to play up spatial composition in ordering to reach a complete respite between masses of trees and of architecture. By 1650, he was able to hone and enhance his creativity and art skills and these were manifested in the classical balance of the composition which is subt ly altered by soft light (Barewalls. com). For Van Ruisdael, he was also a landscape artist who studied painting in Germany but lived in Amsterdam. Van Ruisdael was able to establish his own studio where he train several talented artists. His dramatic, naturalistic get of landscapes and his emotional make use of of color back up his reputation as the principal Dutch landscape painter in the heartbeat half of the 1600s. Additionally, he mastered the use of proportional compositions, meticulous draftsmanship, and thick impasto which were all evident in the View of Haarlem from the Dunes at Overveen (Getty Museum, 2008). This landscape painting showed the panoramic suasion of Haarlem, Van Ruisdaels hometown. The red roofs of the houses and the clouds in the sky were the main visual elements in the painting. These lead paintings showcased the different approaches of three artists from three different countries during the flamboyant period of Baroque.Annibale Carracci, Claude Lorra in, and Jacob Van Ruisdael gave a new meaning to the pronounce landscape painting wherein they transcended reality in a two-dimensional canvases infused with their own several(prenominal) personalities and techniques.ReferencesBarewalls. com. (n. d. ). Claude Lorrain. Retrieved celestial latitude 6, 2008, from http//www. dropbears. com/a/art/ story/Claude_Lorrain. html Bookrags. com. (2006). Annibale Carracci. Retrieved celestial latitude 6, 2008, from http//www. bookrags. com/wiki/Annibale_Carracci Getty Museum. (2008). Jacob van Ruisdael. Retrieved celestial latitude 6, 2008, from http//www.getty. edu/art/gettyguide/artMakerDetails? maker=517 Heindroff, A. M. (2006, July 24).Baroque Art. Retrieved December 6, 2008, from http//arthistory. heindorffhus. dk/frame-Style10-Baroque. htm Miller, M. (2007, February 16). Claude Lorrain Landscape Drawings from the British Museum at the Clark. Retrieved December 6, 2008, from http//www. berkshirefinearts. com/? page=article&article_id=218& catID=3 NationMaster. com. (2005). The Flight into Egypt (Annibale Carracci). Retrieved December 6, 2008, from http//www. nationmaster. com/encyclopedia/The-Flight-into-Egypt- (Annibale-Carracci)